Running a
little late today, but still here. Thanks for waiting.
So, our
title this week is one of those not-so-clever aphorisms that folks usually have to work through for a minute or two. I only mention it here because Shane Black
used it in Iron Man 3... with the whole joke being that Tony Stark
(cuffed to a bed frame at the time) didn’t get it.
In the
interest of moving things along, the second mouse gets the cheese because the first
mouse set off the trap... and got killed.
Now the trap’s harmless.
See what I
mean. Obvious in retrospect, not so much
when you first see it.
That’s what
I wanted to blab on about. The traps
that seem like good ideas at the time, for one reason or another, but later
it’s clear they were the wrong choice.
Lots of
aspiring writers fall into traps. Sometimes
it happens when they follow bad advice.
Other times it’s because they insist on using a method or writing in a
style which really doesn’t work for them. And sometimes... sometimes that trap’s just
sitting there in the tall grass, waiting to snap shut on someone’s leg.
We all want
to think the traps are clear and easy to spot. But we’re all going to fall into
a couple of them. That’s just life out here in the writing jungle. The trick’s to get out as quick as possible. Some folks, y’know, get caught in a trap and then try to convince
themselves they wanted to be at the bottom of a hole with two wooden stakes
rammed through their legs. Hell,
everyone should be in a pit with two wooden stakes through their legs. It’s really the best position to be in.
None of us
want to be that guy. Or to listen to
that guy. Right?
So, with
all that said, let me toss out some common—and maybe even dangerous—misconceptions
people have about writing.
Writing is easy - Probably the most common
misconception there is. I mean, most of
us learned how to put words on paper when we were ten, right? We could write passable essays by ninth
grade. So writing for a living, for an
audience greater than your immediate friends and loved ones, how hard could it
be? Anyone can do it once you’ve got a clever idea. Heck, I’d bet 90% of
Americans have immediate access to a word processor of some sort.
Truth is,
writing—not basic, grade-school literacy, mind you, but the ability
to write-- is a skill which needs to be learned like any other. All you need is to browse Twitter, Facebook, or
the comment sections of any news feed to learn how few people can express their ideas through words. Yeah, I took English and reading classes in
school. But most of us went through twelve years of gym class, too, and we all
understand that doesn’t qualify us to be in the Super Bowl.
Writers
need to train and practice for months--maybe even years--before they’re ready
to show off their writing. I don’t have
hard numbers in front of me, but I feel safe saying Stephen King didn’t make much
off the first 100,000 words he wrote. It’s
work. Hard work. It requires skill, a great deal of practice,
some actual talent, and a heck of a lot of dedication. That’s why so many people don’t succeed at
it.
This is
probably the most successful trap because it doesn’t just catch the writer--it
tends to kill them 2/3 of the time. Most
of the folks who believe that writing is easy have never actually written
anything. They also tend to come up with
a lot of reasons (unrelated, of course) for why they never complete a manuscript.
First person is easy - A lot of prose writers start off with first
person stories. It’s quick, it’s not hard to get into, it’s easy to find a voice. It’s also very
personable, so a reader can relate to my characters immediately. Plus there are tons of formats ready and
waiting; journals, diaries, letter, memoirs, and so on. My first two published short stories were
both first person.
Truth is, though,first person is a very difficult, very limiting viewpoint to write
in. There’s a reason lots of
professional writers avoid it. It takes
a lot of experience and planning to pull off a successful first person
manuscript.
Writers who get caught in this trap start their first novel and pound out 20,000 words worth of journal entries over one weekend. There’s always that chance they may be brimming with so much raw talent they’re the next Hemingway or Steinbeck. Alas, there’s a far better chance, they’ve just wasted a long weekend.
Writers who get caught in this trap start their first novel and pound out 20,000 words worth of journal entries over one weekend. There’s always that chance they may be brimming with so much raw talent they’re the next Hemingway or Steinbeck. Alas, there’s a far better chance, they’ve just wasted a long weekend.
Writing doesn’t require any writing - I think we’ve all heard or seen that person
who talks about their brilliant story ideas, and usually follows it up with—“Well,
I’ll write it out when someone’s willing to pay me.”
This
mindset is a remnant of the huge spec script boom in Hollywood a
few decades back. It was one of those
rare periods when studios acknowledged the importance of writers and were paying
millions for screenplays—or even just the idea for one. And that frenzy sold some books, too
However...
this was almost thirty years ago. These days producers and publishers are much
more cautious and they’re not interested in ideas. They’re interested in complete, finished works. Not two-thirds of a
manuscript. Not most of a script.
Want easy
proof of this? What do you think will
happen if I self-published my idea? Not
a complete manuscript, just my one-page, cool idea? How far do you think that’ll take me?
If not
having a manuscript doesn’t work for self-publishing, it’s sure not going to
fly in traditional publishing.
Just to
save time, knowing the right people won’t change this. No, it won’t.
I don’t care what that website said. As a first-timer, I’m an unknown
quantity. Who spends money on unknowns?
Not to sound too harsh but... well,
no, this is harsh because people can only end up in this trap by choice. If someone can’t write and complete
something, they can’t be a writer.
That’s really all there is to it.
I should stop now and go back to those criminal justice classes I thought
about signing up for.
Writers don’t need to read -
Somewhere along the line, some numbskull
started pushing the idea that writers shouldn’t waste time reading—they should
spend all their time writing. This is
kind of like saying drivers shouldn’t waste their time stopping for gas.
Every
professional writer I’ve ever met, interviewed, or even just read about
(myself included) reads voraciously. A
writer should be devouring works in their chosen field to stay current
and snacking heavily on everything else to stay fresh.
Alas, the folks
who fall into this trap tend to write plain awful stuff. Not from any inherent lack of talent—they
just have no clue what’s been done.
They go for every easy idea, hit every cliché plot point, and tend to
follow the textbook formulas they were taught in some creative writing class
somewhere. What else can they do? They’ve had no other input. They end up trying to mimic one or two famous
examples of what they aspire to... and usually end up looking just like the
worst of the worst.
Research everything – This
one’s more insidious than deadly, which
is why I saved it for near the end. We
all want to get the facts right in our stories. We check books, make phone calls, visit locations...
okay, yeah, and maybe some of us just spend a lot of time on Wikipedia. Point is, how can I be expected
to move forward with my story if I don’t know the exact month they started
laying railroad track in Independence, Missouri? It’ll ruin everything if I say June and it
turns out to be July.
This is an
awful trap because getting stuck in it means I’m trying to do the right
thing. Research is important, but I
can’t ever forget that research isn’t writing.
There’s a time for putting noses in books but there’s also a time for
putting fingers to keyboard (or pen to paper if you’re old-fashioned).
Some folks
get caught in an even deeper layer of this trap. They get stuck researching how to write. We’ve all known someone like this, yes? The one who buys books, takes classes, studies
YouTube tutorials... but never does any actual writing.
For some
people this becomes a defense mechanism of sorts, sometimes subconsciously and
sometimes... not so subconsciously. If I
never start, I won’t have to put the work in, and my work stays in that wonderful
hypothetical stage where it’ll be the greatest thing ever committed to paper...
if only I had time to write it down.
Rewrite until it’s perfect
- The last and deadliest of the traps in our showroom. For some folks, rewriting turns into an
endless loop. There’s always another
opinion to listen to, more feedback to get, and revisions which need to be done
because of them. Just thought of a new
way to do those action scenes? That
calls for another draft. Maybe
last night’s Agents of SHIELD
inspired a new opening? Perhaps my old
college beau is visiting and s/he thought the ending needed a touch more romance, and any decent writer knows changing the end means changing everything that leads up to the end.
There are
two ways people fall into this trap. One
is a combination of bad advice and bad judgment. So many gurus tell people to rewrite and
rewrite and rewrite. How many times have
you heard “writing is rewriting” parroted in classes or on message boards? There’s some truth to that, yeah, but eventually,
a writer just needs to call it done and move on or they’re going to be trapped
in one manuscript forever.
The other
way people fall into this trap is on purpose.
A bit like with research, constant rewrites are an excuse not to
actually produce anything. You don’t
expect me to show you an incomplete or old draft, do you? I was going to send it to some agents or
publishers, but I think it needs one more polish to make it perfect. Maybe one more after I go through and clean
up a few loose threads. Rewrites are a
way some writers--again, consciously or not-- can avoid possible failure yet
still keep up the illusion of forward motion.
Are all of
these traps deadly? No, but getting
snagged in one can definitely cost me some time. Yeah, I’ve fallen into one or three of them
over the years. Fortunately, one of
those things only has to slam on your ankle once and you’ll rarely let it
happen again.
Assuming,
of course, that I get out of it the first time.
Next time,
I’d like to talk with you real quick about my buddy Marc, who I was stationed
with in Kuwait six years ago...
Until then,
go write.
And watch
your step.
No comments:
Post a Comment
Note: Only a member of this blog may post a comment.