Y’know, I just realized something. This might be the last post of the year if I
don’t do some off-day stuff. I may have
to reschedule some things...
That said... less than a week till Christmas. Writing’s probably (understandably) one of the last things on your mind. Or maybe it’s right there, teasing you with cool new ideas. Perhaps even holiday-themed ideas.
Writing stories that revolve around Christmas—or any holiday—is tempting. It’s very relatable. A lot of the groundwork is already done for us as far as setting goes. Heck, depending on my characters, a lot of backstory may already be done. A Christmas story can be kinda freeing and give us an instant theme to go with. Or go against. Everything becomes more shocking and dynamic when set against a bunch of innocent carolers trying to sing “Joy to the World.” Except maybe another group of carolers.
Plus, let’s just be honest. Christmas stories are lucrative. Forget superheroes, there’s a fair argument
to be made that Christmas stories are one of the best-selling genres out there,
especially if you write screenplays. Seriously. Think of all those cable and
streaming channels that are just brimming with original movies about dogs and
holiday romances. I was in a holiday-themed anthology a couple years
back, and I know there’ve been several more since then.
Forgive me for sounding all capitalist, but...
there’s a lot of money to be made off Christmas.
Now, that said...
If I’m thinking about a clever idea for a holiday story I do
need to be a little careful. The ugly
truth is, it’s all been done before. All
of it. No matter how clever or original
I think my take is, there’s a good chance someone’s done it before. Because, as I mentioned above,
this is a huge market and lots of folks have written lots of
stories.
Look at it this way. Think
of all the different versions of A Christmas Carol you’ve ever seen or
heard of. There’ve been books, plays,
movies, and animated specials. We’ve all seen it done dozens and dozens of
times, set in the past, present, and future. There’ve been versions of it that
leaned toward drama, toward comedy, horror, sci-fi, you name it. I’d
guess at least thirty or forty television shows have done takes of it, too.
Heck, just in the past couple years they’ve done it on Ducktales, Looney
Tunes, Scooby-Doo, and Family Guy.
How about Santa? There’s Santa Claus origin stories. Evil Santa stories. Cool Santa. Robot Santa. Son of Santa. Daughter of Santa. Brother of Santa. New Santa. Heck, at this point I’ve seen multiple stories where Santa’s an action star defending his workshop from invaders. Like, it’s pretty much a solid subgenre at this point.
How about Santa? There’s Santa Claus origin stories. Evil Santa stories. Cool Santa. Robot Santa. Son of Santa. Daughter of Santa. Brother of Santa. New Santa. Heck, at this point I’ve seen multiple stories where Santa’s an action star defending his workshop from invaders. Like, it’s pretty much a solid subgenre at this point.
Heck, at this point Krampus is pretty commonplace. He shows
up in a bunch of books. Just typing the name into IMDb gives me over a dozen
movies where he’s specifically mentioned in the title, and I could probably
come up with just as many where he isn’t. There’ve probably been another dozen
or so supernatural-themed shows where he’s appeared in as well (he had an
appearance on Grimm that I really liked).
All done many times. In many ways. I’m not saying these
stories can’t be done again, but this is one of those areas where I really
need to be aware how often this relatively small pool of material’s been mined
for ideas.
Except... weird as it sounds, there is kind of a niche where people love getting the same thing again and again. If you scroll through some of those big holiday movie listings at Netflix, Vudu, Tubi, or whatever platform you like to use, you’ll see the same themes showing up again and again in hundreds of movies. Literally, hundreds. Holiday romance. Small towns. Loveable pets.
My point being, if I want to appeal to that market, it’s very important
that I don’t do anything too new or radical. This audience is looking for a
sort of comfort food. They want to know that he ends up with her, she ends up
with him, and that the dog lives and saves Christmas. Breaking these
traditions might arguably make a more interesting story, yeah, but that’s not
what these are about. He ends up with her. She ends up with him. The dog saves
Christmas. Done.
So think about stories this holiday season. Do I want them as a general background? Do I
want to put a clever spin on something old? Do I want to lean into one of those
niches? Whichever one I’m thinking about... I should put in a little extra
thought. Just to be safe.
Next time, performance reviews.
Until then... I wish you all a peaceful Solstice, happy
Hanukkah, merry Christmas, joyous Kwanzaa, gleeful Boxing Day, and a glorious
Ascension of Tzeentch.
Now go write.
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