Okay, so, a
few weeks back (before the amazing ten year anniversary) I said I’d blab on a
bit about words. That time has finally
come.
Be ascared.
Be very ascared.
Anyway...
Anyway...
It’s been a
while, so I figured I’d bring up spelling again. I’m sure it seems silly that I keep
revisiting this topic again and again. But there’s a reason for it. Words are the absolute core of what we do as
writers, the bare-bones building blocks.
They’re the DNA of storytelling, the atoms to my sentence molecules.
I must
have a solid, working vocabulary if I want to be a writer. No question, no excuses. I need to know what words
mean. I have to know how to spell
them. I have to be able to tell them
apart.
That last
one’s a killer. We’ve all seen people go
on about there/they’re/their and of course about its and it’s. But I’ve seen folks mess up corporeal
and corpulent. I’ve seen major websites confuse possible and posable.
Granted,
ninety-five percent of the people making these mistakes aren’t claiming to be
writers. They’re just folks trying to
express their thoughts online. This
isn’t their field of specialty. As I’ve
pointed out before, I can cook, but I’m not a chef. I can do an oil change and rotate my tires,
but I’m no mechanic. And I don’t think
the folks at my garage would look down at me for not being able to tell a
carburetor and a fuel pump apart on sight.
But...
I’d
probably look down on them if they couldn’t tell the two apart. I’d eye all their work and claims with a bit
of skepticism. Truth is, I probably
wouldn’t trust them with my car anymore. It’s the kind of ignorance that calls
all their work into question.
That’s why
spelling is so important for writers.
It’s one of the first benchmarks we need to pass—one of the first
indicators that we know what we’re doing.
I can’t tell you how many times, as a contest reader, I would
start judging a screenplay because it had two or three misspelled or misused
words in the first two pages. If I hit
twenty pages and there were more than ten typos... Well, even when I wasn’t supposed to judge on
spelling, there’s simply no way that’s not going to color my thoughts when I
hit another problem.
And y’know
what? The scripts with spelling problems
always had another problem. Always.
I wasn’t
alone in this, just in case you’re thinking I’m some hypercritical jerk who’s
scared of newcomers taking his job or something (keep in mind, this was almost
eight or nine years ago—nobody wanted my job back then). A good number of readers—and editors and
agents—are also writers. Even when we’re
not supposed to judge on spelling... we all kinda judge on spelling.
Anybody
who’s a professional in this word-making field will.
That
said... here’s a list of paired-up words.
They’re homophones or malonyms or just... well, screwups. As always, all of these examples come from
actual mistakes I’ve seen in the wild—in books, catalogs, and on various
websites that try to claim a degree of professionalism. Hell, one of these was in an article about
how to be a better writer!
Yeah, it’s
just painful to think people messed up some of these...
mote vs. moot
conscious vs.
conscience
defuse vs.
diffuse
reign vs. rein
angle vs.
angel
dual vs. duel
idle vs. idol
dyed vs. died
pique vs. peak
emulate vs.
immolate
bawl vs. ball
jive vs. jibe
do vs. due
sleight vs.
slight
rouge vs.
rogue
marital vs.
martial
hansom vs.
handsome
don vs. dawn
gild vs. guild
turn style vs.
turnstile
Neat list,
eh?
Did you
know what both words meant? In every
example? Because, again, I need to know what words mean. All the
words. Not a pretty good idea, not a
general sense of how it works, not pretty-sure-that’s-the-one-I’m-looking-for. These are my basics, after all. This is sugar vs. salt for a chef, or
carburetor vs. fuel pump for a mechanic.
If I mess these up... well, I can’t be shocked when people stop treating
me like a professional.
Actually,
if you don’t mind me running a bit long, I want to toss out something else
here, too. Another point I’ve mentioned
before, but it still bears repeating.
Sometimes,
for storytelling reasons, maybe I want spelling mistakes in my work.
Maybe it’s an epistolary story, or just a jutted-down note within the
narrative, and the character in question isn’t supposed to be all that bright.
Then it makes sense that they may not be good at spelling, yes?
I need to
be super-careful when I do this. This is
one of those things that can make me lose points with editors and writers. Seriously.
I’ve seen both.
D’you
notice up above when I’d written jutted instead of jotted? Not a huge mistake. Understandable, even—U and O
are pretty close on the keyboard.
Which
means, of course, there’s a chance that’s an actual mistake, not one I
added in for narrative effect. If I see
somebody mess up they’re and their, I’m left wondering if the
character’s not too bright... or the author isn’t. There’s no real way to be
sure.
Compare
that to when I used ascared up top. It’s not a word you’ll find in many
dictionaries, but it’s a generally accepted colloquialism. It’s also (take
notes now) a spelling that would raise flags for copy editors or even the dumbest of spellcheckers. And readers. We’d immediately question how
such a blatant, easily caught error made it in, and the default assumption
would be that I meant for it to be.
Y’see,
Timmy, I need to be smart about deliberate mistakes in my writing. It needs to
be very clear they’re deliberate—screw-ups the character made, not me. Because if they’re not sure, most readers are
going to assume it’s my mistake. And as
I mentioned above, if I make too many mistakes...
Well,
again, I can’t be shocked by how people react.
Next
time...
This is
getting tough, because I’m thinking of making Tuesday posts a semi-regular
thing, but they’ll probably be a bit broader and not quite as writing-specific.
So “next time” won’t actually deal with writing, but it’ll still—
Y’know
what? Just keep checking back here.
It’ll be worth it. Hopefully.
Until then,
go write.
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