Okay,
believe it or not, I’m actually somewhat ahead on ranty blog posts right
now. Three weeks ahead. But I want to put it out there again that
suggestions and requests are always welcome.
Or just general comments.
Without
them I’ll just keep blabbing away about whatever comes to mind.
For
example...
I can be honest. I used to do this a
lot. I think most writers do. It’s an experience
thing. None of us ever think we’re doing
it—we’re all wise and worldly, after all—but the truth is it’s just a stage the majority of us go through as we’re learning to tell stories.
If I had to
make a guess, I think this is why a lot of these artistic stories tend to be so
negative, especially the ones by beginning writers. The only visible choices are all positive or
all negative, and if they were all positive there’d be nothing for anyone to
talk about. Soooo...
The
characters in these stories just have awful, pathetic lives. They have bad jobs for low pay where they’re
unappreciated and have horrible bosses.
They hang out with boring friends and have bad relationships and
unenthusiastic, unfulfilling sex with barely-adequate partners.
Sound
familiar?
While this
can work on a very simple level, it’s just not a great representation of the
real world. Yes, the world is a messy
place, full of compromises and mistakes and a lot of people trying to do the
best they can, usually under less than ideal circumstances. Bad things do happen to good people far too
often, and some folks just never seem to get a break.
However...
There can be a lot of bad, yeah, but there’s also a lot of good. Friends and family who help out. Random sympathetic strangers. Even just sheer luck. Sometimes—maybe just once or twice in our lives—we stumbled across just what we need at the exact moment we need it.
There can be a lot of bad, yeah, but there’s also a lot of good. Friends and family who help out. Random sympathetic strangers. Even just sheer luck. Sometimes—maybe just once or twice in our lives—we stumbled across just what we need at the exact moment we need it.
The simple
truth is, life is a mix. It’s very
rarely all good or all bad. And that
holds in fiction, too. A good story is
rarely going to be all of one or the other.
My characters need to succeed (we don’t want to be following
losers), but success doesn’t always mean getting the sexy love interest,
finding the treasure, or triumphantly winning the battle without physical or
mental scars.
Great
example—we’ve all heard the story about the day Oprah gave everyone in her
audience a luxury car, right?
Fantastic! Nothing but positive
there, right?
Except...
In the
weeks to come, many of these people were begging her to take the cars
back. Seriously. Did you know you have to pay taxes on big
prizes like that? What do you think the
tax is on a $60,000 luxury car? And do
you want to guess at the minimum insurance payments? The attempt to make all these lives better
actually made many of them worse.
You’ve
probably heard similar stories about lottery winners. At first they’re thrilled to win all that
money—who wouldn’t be? But then you hear
stories about how people start to look at them differently and act differently.
They’re no longer Yakko from work—they’re Yakko the multi-millionaire. And
every time they don’t pick up the tab or don’t chip in or don’t offer to help,
the looks change a little more.
Seriously, check it out—a huge number of lottery winners say it ruined
their lives.
Remember that classic story “The Monkey’s Paw,” where no matter what you wish for there’s always a negative twist to it? Ursula K. LeGuin did the same thing in The Lathe of Heaven, about a man whose dreams shape reality. And if you’re a Doctor Who fan, you may remember the Game of Rassilon, where those who win shall lose, and those who lose shall win.
Remember that classic story “The Monkey’s Paw,” where no matter what you wish for there’s always a negative twist to it? Ursula K. LeGuin did the same thing in The Lathe of Heaven, about a man whose dreams shape reality. And if you’re a Doctor Who fan, you may remember the Game of Rassilon, where those who win shall lose, and those who lose shall win.
Alas, even with all these examples, it’s
not always easy to see this. Definitely
not easy to write it. Multi-layered
success is a challenging thing, and—as I mentioned above—it takes a degree of experience
to pull it off.
Simple
experiment. Take your favorite book or movie.
Odds are it’s got a happy ending, right?
At least a mildly-positive one?
Now—find
the bad things. What did it cost the protagonist to get to that happy ending?
Ruined relationships? Compromised
morals? Lost job? Property damage? Bodily damage? Maybe even a death or three? I’m willing to bet there was a price. Probably even a big one.
Winning
rarely comes without some losses. Losing
isn’t always the end of the world. And
my stories should reflect this.
Next
time... it’s Halloween. Time to sit
around the campfire and tell... well, some kind of scary story. We’ll figure out what.
Until then,
go write.
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