Late again.
But I’m
keeping lots of other schedules, if that matters.
Anyway...
I’d been
playing around with the basic idea for this post when I was scooped by Welcome
to Night Vale. If you’re somehow not
familiar with it, it’s a fantastic podcast that purports to be the
community radio show from a very, very odd little town out in the desert (although
not as odd as those jerks in Desert Bluffs).
If you follow them on social media, they occasionally toss out little
Night Vale-ian sayings about life, death, horoscopes, janitors, and so on. A
week or so back, there was this one...
Death is
only the end if you assume the story is about you.
Which is a
funnier way of saying what I wanted to talk about. See, I was going to tell you about the dinner
I had the other night. It was one of
those nights where my girlfriend and I just decided to scrounge up meals for
ourselves rather than make an actual meal together, and I’d been having odd
cravings for scrambled eggs. I’d also
been feeling a little nostalgic because—silly as it sounds—we didn’t eat
breakfast Christmas day. And I’d been
thinking about the breakfasts my dad would make on Christmas mornings when
my brother and I were kids and we still lived at home. It was a small, simple tradition, but it was
something I’d been thinking about.
So...
That’s what I had for dinner.
Breakfast. I sliced some
kielbasa—yep, kielbasa as breakfast sausage—scrambled three eggs, added a few
mushrooms and a bit of cheese, and cooked it all together. Which I ate while watching an old episode of Home
Movies. The ren faire episode, if you care.
It was a
wonderfully satisfying dinner.
Well, it
was to me, anyway.
What am I
getting at?
There’s a
Mel Brooks quote I’ve paraphrased here a few times before. “Tragedy is when I cut my finger. Comedy is
when you fall into an open sewer and die.”
It’s usually used to emphasize the comic aspect, but I think it works
well in reverse, too. Many people fail
to see that what they consider great, powerful drama is actually, well... not.
I’ve
mentioned before—several times before—that for screenplay contest
readers one of the most dreaded scripts is one that comes with a “based on a
true story” label. And the reason for
this is that most of us live pretty average lives. Yeah, even the dramatic parts. We have great
successes and miserable failures. We get
knocked down and we pick ourselves back up (or not, sometimes). We lose people we care about and we find new
loves.
So a lot of
these “based on a true story” scripts tend to be... well, dull at best. Tedious at worst. Neither of which are labels we want on our
writing
Y’see,
Timmy, my life feels special to me because, from my point of view, I’m the main
character. So lots of elements of my
life may seem exciting. boring, hysterical, or tragic to me, but that doesn’t
automatically mean they will to you. Or
to him. Or to her.
Honestly,
quite a bit of my life is average. Many
of you would probably even call it boring.
And I recognize that, which is why I rarely use me as a
reference. Or as a guideline for what
most people should know or how most people would react.
One of the
skills we all need to develop as a writer is the ability to sift good ideas from bad ones. Or common
ones. To recognize that just because
something hits me hard doesn’t mean it will have the same resonance with
everyone else. It’s an empathy issue,
something I’ve brought up many times before. If I have trouble honestly seeing the world
through different people’s eyes, I’m just not going to be good at this.
I don’t
want to tell you my story. My story is
boring. That’s why I want to tell you
St. George’s story. And Danielle’s story. And Mike’s story. And the story of how Eli and Harry met three times
before they ended up traveling together.
What story
are you going to tell?
Next time
I’d like to talk about firearms, power tools, sports cars, and other expensive
things people spend money on for the wrong reasons.
Until then,
go write.
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