I’ve
finally switched over to the new Blogger format. A bit torn on it, myself. Please let me know if you like it or not,
because I can duplicate the old style, it just takes a bit of work.
Halloween
is upon us, which means it’s time for me to do something horror-related here on
the ranty blog. It’s a topic I’ve
touched on once or thrice before. This
time I thought I’d put a slightly different spin on it.
As some of
you know, I spent last weekend up at ZomBCon in Seattle. It was eye-opening in several ways, and one
of those ways (like any decent convention) was the people in costume. There were a lot of fantastic zombies and
related beasties, but there were also a lot of zombie fighters—people with
miniguns and machetes and body armor.
Heck, one of my fellow Permuted Press authors, Eloise J. Knapp,
showed up dressed to kill. Not in the
fun way.
A lot of
horror tends to focus on the enemy.
My zombies are different from your zombies. Your vampires are different than my
vampires. Neither of our axe-wielding,
demonically-possessed psychopaths are like her axe-wielding,
demonically-possessed psychopath. Horror
can be broken down into many different sub-genres, just like sci-fi, comedy,
or other art forms like sculpting or painting.
Being labeled "horror" doesn't mean Frankenstein is anything like The
Descent, and neither of them resembles Paranormal
Activity VII.
What I want
to talk about, though, are the victims.
Different types of antagonists define a story, true, but the same holds
for the protagonist. While A vs. B makes
one type of story, A vs. C is something different and D vs. G is another world
altogether. So recognizing what type of
characters I’m writing about can help me define what kind of story I’m writing,
which helps me market it. If I tell an
editor it's not torture porn when it plainly is, at the best I’m going to get
rejected. At the worst, they'll remember
me as "that idiot" when my next piece of work crosses their desk—even
if I’ve fixed my mistakes since then.
Here’s a
few types of horror stories and the people you often find in them.
Supernatural stories
Not talking
about the television show, mind you.
The
characters tend to be average folks in most supernatural stories. They’re not idiots, but they’re not
millionaire Nobel winners or retired assassins. Almost universally, the main
character of a supernatural story rarely comes to harm. They’ll need clean underwear, maybe have to
dye their hair back to its natural color, and they probably won’t sleep well
for a few months or years. Physically,
however, they tend to come out okay. There
might be some mental scarring, but that’s about it. If anyone suffers in a supernatural story it's
usually the bad guy or a supporting character. Often, though, people have
died in the past.
Slasher stories
These tales
feature teenagers and young adults as their victim of choice. Lots of teenagers, out of which two at most
might survive. A few people over the age
of twenty-five may catch a machete, but ever since John Carpenter made the
original Halloween (and it was horribly misunderstood and copied by
dozens of filmmakers) it’s pretty much set in stone who the victims are in this
sub-genre.
A key
difference between slashers and torture porn stories (see below) is that the
victims here have a chance to escape. It’s rare for the victim to die without hope
or warning in a slasher film. There’s
often a chase or at least a struggle. We
get the sense that if Phoebe didn’t trip over that tree root or if Wakko hadn’t
stopped to “deal with this guy” they might’ve gotten away. Heck if Dot just could’ve run a little faster
she would’ve made it to the car and relative safety.
Monster stories
A monster
story is about an unstoppable creature.
Godzilla is a monster, in a very obvious sense, but so is Freddy Kruger
(in his later films), a zombie horde, and the alien in Alien. I think the reason Jason X is so reviled by fans of the franchise is that the
filmmakers turned it into a monster movie, not a slasher film like the ones
before it.
As such,
the focus of a monster story is usually to get away from the threat. Yeah, most horror movies involve running
away. In a monster story, though, it’s
immediately self-evident this is the best choice of action. Monster stories can have a lot of survivors
because the monster, by its nature, is kind of attacking randomly. It never gets personal for them. The characters in a monster story are almost
bystanders, swept up in the events and sometimes just left to watch from the
sidelines.
Giant Evil stories
In these
stories the characters are usually pathetic pawns at best, helpless victims at
worst (well, from their point of view).
Giant evil stories are close to monster stories in that the antagonistis just overwhelming. There are
two big differences, though. One is
there’s no way for characters to escape giant evil. It’s everywhere. Two is that giant evil rarely has a
face. It may have minions or
manifestations, but often it isn’t something characters can “find,” if that
makes sense.
The
characters in giant evil stories tend to be older and smarter. They’re not hormone-crazed teens, but very
educated adults with a bit of life-wisdom under their belts. In my opinion, it’s because a large part of
the horror here is realizing just how overwhelming the force against them
is. It’s something a younger character
usually isn’t quite up to grasping because they don’t have as much of a world
to overturn.
Thrillers
Thrillers
tend to focus on just one or two characters rather than a larger cast, so when
people die they tend to be supporting characters or nameless folks in the background. A thriller
is about what could happen, not what does happen, so the big threats
have to stay looming. While characters
in a thriller tend to be more active in a general sense, for the most part
they’re reacting to the sinister plots and machinations going on around
them.
Adventure Horror stories
To
paraphrase from Hellboy, adventure
horror is where the good guys bump back.
While these stories may use a lot of tropes from the other subgenres,
the key element to these stories is that the characters aren’t victims—they’re
actively fighting back from the start.
Not in a dumb, facing-off-against-Jason-Voorhees-with-a-baseball-bat way,
but in a heavily-armed-armored-and-prepared way that has a degree of success.
It can
still go bad for them (and often does), but these characters get to inflict some
damage and live to tell the tale. For a
while, anyway.
Torture porn
A key
element to torture porn is the victim is almost always helpless. By the time the characters know what’s going
on (no matter how obvious it is to the reader) they’re already bound and
drugged. They’re completely alone or vastly
outnumbered. Unlike a slasher film (see
above) there’s no question in these stories that the victim is not going to get away. That hope isn't here, because that's not what
these stories are about.
Torture
porn walks a delicate line with its characters.
If they’re bland and interchangeable, what happens to them is kind of
meaningless. When was the last time you
shed a tear for that broken chair in your back alley? However if we know these characters too well
then their torture really does become truly unbearable and horrific to the
point that it isn’t remotely entertaining.
We cheer when people get killed in the Saw movies, but not when they’re killed in Schindler’s List.
I’ll also
make the observation that characters tend to be one type or the other. It’s very rare to see such a dramatic
character shift that Phoebe goes from being the complete victim to completely
kick-ass. As has been said to death, the
seeds are always there. Ripley may not
gear up until the end of Aliens, but there are plenty of reminders all
through it that she’s just as capable and resilient as any of the Colonial
Marines—including the fact that she’s the only survivor of the first
movie. When someone changes too much
without any motivation they become inconsistent, and an inconsistent
character’s a sure way to end up in that big pile on the left.
So, dwell
on these points while you're munching on the ill-gotten gains you score while
trick-or-treating with your candy beard.
Yeah, all of you with kids, you know what I'm talking about.
Next time,
I’ve been going back and forth about what I want to do. I might just give a random quick tip. Or maybe I’ll talk about going back and
forth.
Have a Happy Halloween. Don't forget to write.
Have a Happy Halloween. Don't forget to write.
Dear El Petre
ReplyDeleteI have a question about writing. Should I post it here…email (what is it?)…or PP forums?
Ah nevermind sir...your blog has already covered something I was frantically fretting.
ReplyDeletehttp://thoth-amon.blogspot.com/2011/08/simpsons-did-it.html
Glad to have been of help with such minimal effort. :)
ReplyDeleteIf you've got something more specific to ask, or just a different angle on it, shoot me a note at PeterClines101@yahoo.com
Email sent. Thanks Peter!
ReplyDeleteI know you're busy so take your time!